"Jesous Ahatonhia": Brébeuf's Wendat Nativity as a Lesson in Cross-Cultural Storytelling
I don't know about you, but I find it easy to take for granted just how widespread Christmas is as a holiday. There are websites and infographics devoted entirely to how it is celebrated all over the world: the music, the food, the specific person who brings presents to the good children or punishment to the bad. Even places and cultures that were not historically Christian - nor subject to widespread European colonization - seem to have gotten in on the action by now. And nowhere is that clearer, I think, than in global versions of the Nativity . Every year, for instance, the National Cathedral in Washington D.C. puts together a curated display of just some of its hundreds of crèches - figurines depicting the Nativity scene - from all around the world. And while many of these sets have the conventional figures and features many of us will have come to expect, others offer a more culturally-specific rendition, with subtle changes to the characters' faces, dress, or belongings